Overview
- Museum No.
- IK543
Showing 1-6 of 3
| Title | |
|---|---|
| Designation | |
| Artist | |
| Category | Textiles(I), Textilies |
| Country | |
| Period | |
| Century | |
| Year | |
| Quantity | |
| Materials | |
| Dimensions | |
| Inscription by | |
| Signature/Seals Etc | |
| Donor |
This object may be one within a set or the title of a set. To see all objects in the set, perform a Category Search by the Museum Number below, entering numerals only before the hyphen.



This yûzen formal outer robe was ordered as a part of a bridal costume for the daughter of an Osaka merchant. Conceived of as a depiction of one hundred birds, this garment displays ninety-nine birds on the face, including a peacock, pigeons, roosters, chickens, and a central phoenix with wide-spread wings; the hundredth bird, a lone red-crested white crane against a rising sun decorates the lining at the back.
The design sketch is reputed to be by Kôno Bairei(1844-1895)who trained when young with the Maruyama and Shijô schools and was active among the Kyoto artists in the early Meiji period (1868-1912). In the Meiji period, the search for designs for a new style of yûzen dyeing led to ordering sketches from famous painters of nihonga (Japanese-style painting).