- TOP
- Zen Calligraphy of Successive Abbots of Manpuku-ji Temple
Overview
Zen Calligraphy of Successive Abbots of Manpuku-ji Temple
- Museum No.
- BK17
Photo No：388-9763-1
Color type：Color
| Title | Zen Calligraphy of Successive Abbots of Manpuku-ji Temple |
|---|---|
| Designation | |
| Artist | Yinyuan Longqi |
| Category | Calligraphy(B), Chinese Calligraphy, Poetry |
| Country | Japan |
| Period | Edo |
| Century | |
| Year | |
| Quantity | |
| Materials | |
| Dimensions | Height 29.6cm Width 915.6cm |
| Inscription by | |
| Signature/Seals Etc | |
| Donor |
- Share >
-
This object may be one within a set or the title of a set. To see all objects in the set, perform a Category Search by the Museum Number below, entering numerals only before the hyphen.
Related Works
Zen calligraphy by successive abbots of Kyoto's Ôbakusan Manpuku-ji Temple is compiled in this handscroll. It consists of calligraphy by a total of twelve monks of the Ôbaku lineage, starting with calligraphy by the founder, Yinyuan Longqi (J., Ingen Ryûki, 1592-1673) and the second abbot Muan Xingtao (J., Mokuan Shôtô, 1611-84), followed by others. Manpuku-ji continued to have Chinese monks as abbots even long after Yinyuan Longqi, and their Ôbaku- and Chinese-style calligraphy had a great impact on the Japanese literati of the Edo period (1615-1869).
Japan-Edo